Visiting Sonobudoyo Museum is an alternative to see keris and
other related items to it from all parts of Indonesia. The museum that
keeps around 1,200 keris (most of them were donated by Java Institute)
will satisfy your curiosity about keris since the Kingdom of Yogkarta
that keeps sacred keris does not allow public to see its keris
collection.
Sonobudoyo Museum is within easy reach from Yogyakarta Kingdom; it is located across the North Square of Yogyakarta. To get into it, you only have to pay the entrance ticket as much as IDR 3,000. Meanwhile, in order to see various kinds of keris, you have to go through quite long procedures because you have to get permission from the museum chief officer. This is because many of the keris collection are still kept in the collection room; they are not shown to public. The first thing you will see that is related to keris is wesi budha (Buddha Iron); it is the main material to make keris that was used in around the year 700s AD, or during the triumphant of Hindu Mataram Kingdom. Wesi Budha can be seen in the middle room that also keeps some collections of the triumphant of Buddhism civilization in Indonesia. In addition to the wesi budha, there are various household furnishings, weapons and handicrafts of the same period. Entering further, you can see some keris, even though the number is relatively small. Some of the exposed keris are straight keris, keris with 7 curves, 11 curves and 13 curves. Most of the keris displayed in this room are those from Jave. In addition to the keris, batik cloths with different patterns are kept there.
Another room behind the library of the museum, displays
more types of keris. The museum attendant explained that the
room keeps various kinds of keris from all parts of Indonesia and it
keeps collection of accessories such as pendok of Yogyakarta and
Solo and the keris blade . More collection originates from outside of
Yogyakarta since there was prohibition to collect keris with the
quantity exceeding those of the collection of Yogyakarta Kingdom. The Javanese keris kept in the museum are those with 7,
11, 13 curves or called luk and straight keris with various pamor
(pattern), such as beras wutah / the spoiled rice (pamor that
was accidentally resulted from the forging process, in the form of
connectiong circles), sekar pakis (in the form of the fins flower) and
so on. The keris from outside of Java that are kept there are, among
others: the unique rencong Aceh, mandau from Kalimantan,
keris from Madura and Bali, and keris from Sulawesi or Celebes. In that collection room, you can also see many old
keris handles with interesting designs. There are keris handles in the
forms of human head, human full posture, dragon, lion, and so on. There
are hundreds of pendok that are classified into two categories, namely
Yogyakarta and Solo styles. Different from the keris handles with
various designs, the shapes of pendok are relatively the same. Thousands of the keris collection pay the difficulty to
get in this collectio room. The museum attendant explained
that all the keris in the collection room will be displayed in an
exhibition room that will be constructed in the future. You may hope
that at your visit in the future time, you can see all of the
collections without sophisticated permit.
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